Senin, 28 Oktober 2013

[T846.Ebook] PDF Download The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson

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The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson

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The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson

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The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson

Experience the Power of Grace and Forgiveness. Based on the movie The Grace Card, this four week study will help you learn that all of us have the opportunity to rebuild relationships and heal deep wounds by extending and receiving God's grace.

This powerful series covers these topics:
1. Grace Awakening: Experience freedom by giving and receiving God's grace
2. Grace Overflowing: Transform your relationships through love and forgiveness
3. Grace Lessons: Grow and mature through adversity, discipline, and God's Word
4. Grace in Action: Change the world by extending God's grace.

Kit includes: DVD with movie clips from the film The Grace Card that correspond to the lessons, a Study Guide with discussion questions, and for group study, there is a week-by-week guide for group leaders.

  • Sales Rank: #2301159 in Books
  • Brand: Outreach Inc.
  • Published on: 2011-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.61" h x 1.55" w x 5.80" l, .65 pounds
  • Binding: Paperback
Features
  • experience freedom by giving and receiving God's grace
  • grow and mature through adversity, discipline and God's word
  • transform your relationships through love and forgiveness
  • change the world by extending God's grace
  • experience a grace awakening

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good and Expensive Ministry Tool
By Linda D. Alexander
This was a great companion to a wonderful movie. The companion DVD contained the video clips on which the bible study was based. The lessons were clear and concise. The teacher guide didn't add much depth to the lesson. Each lesson review was a one page summary of the clip. The lessons were comprehensive and included a section for the student to complete independently of group discussion. The purpose was to assist them in putting the lessons learned into action.

As I used the kit for a real life bible study with several students, I had an issue with purchasing the bible study books independently of the kit ($6 each). Additionally, at least two of the clips referenced in the lesson are not available in the public domain, therefore students either have to purchase the movie or purchase a DVD study kit in order to maximize the benefits of the lessons. $18 is an expensive investment for a 4-week study.

0 of 0 people found the following review helpful.
GREAT Inspirational Movie!
By Cjwat
We purchased multipled copies of this movie on Amazon.com, as soon as it was released. We have given the movie to our family & friends to enjoy as well! Thank You Amazon for giving us a choice of inspirational movies to choose from!

0 of 0 people found the following review helpful.
Enjoying Everything!
By Linda Smith
Enjoying the book, video and Bible Study. Used the inflatable salad bar at our church picnic. Used the bar for ice cream plastic containers. Just added ice kept everything cool, no melting or mess. Very nice. Several comments what a good idea and where I puchased them.

See all 5 customer reviews...

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The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson PDF
The Grace Card: A DVD-Based Study Kit - Official Movie Resource from The Grace Card, by Thomas Nelson PDF

Jumat, 18 Oktober 2013

[W797.Ebook] Download PDF Recording Studio Design (Audio Engineering Society Presents), by Philip Newell

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Recording Studio Design (Audio Engineering Society Presents), by Philip Newell

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Recording Studio Design (Audio Engineering Society Presents), by Philip Newell

Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In straightforward language Newell covers the key basic principles of acoustics, electro-acoustics and psychoacoustics and their application to studio design. Fully updated to reflect current technology and practice additional sections include digital signal processing, design for soundtrack mixing and foley rooms, providing a complete reference offering real solutions to help improve the success rate of any studio.

  • Sales Rank: #1176562 in Books
  • Published on: 2007-11-21
  • Released on: 2007-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 1.66" w x 6.13" l, 2.67 pounds
  • Binding: Hardcover
  • 736 pages

Review
Review of Project Studios, by the same author:
"This book is extremely well written and presents even the most technical material in a clear and accessible fashion."
--Sound on Sound magazine

About the Author
PHILIP NEWELL (Author) International consultant on acoustic design, former technical director of Virgin Records. Has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.
PHILIP NEWELL (Author) International consultant on acoustic design, former technical director of Virgin Records. Has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Philip Newell is the Edward Tufte of Acoustics
By Michael Tiemann
Edward Tufte took a very dry and specialized subject--the presentation and interpretation of data--and made the subject accessible and even exciting. Not every one of us will be an astronaut, yet his explanations of precisely how NASA failed to understand their own data, once in the Challenger disaster and once in the Columbia tragedy, made us all much more aware of how cumulative institutional failure can compromise the mission of those charged to fly it and discourage the rest of us on earth who hope for a successful outcome.

Philip Newell takes on a different subject--the recording studio design--yet the effect its astonishingly similar. He deftly and unapologetically explains the inescapable conclusions that doom so many studio projects because of a growing institutional lack of fundamental acoustic knowledge, just like the bad launch decisions that doomed Challenger and Columbia. But he also teaches how disaster can be avoided by using the comprehensive knowledge he has collected over his lifetime and which he presents in this book.

What I like especially is that this book lacks the all-to-frequent hand-waving of other books on the subject. He is not afraid to take a stand, and he is not afraid to bring any amount of concrete data, algebraic analysis, geometric analysis, calculus, physics, or hard-won experience into the narrative to fully explain his point. And when his explanation is finished, one understands not only the point related to recording studio design, but one is able to apply that understanding to so many other contexts as well.

In this book I learned that the human ear is so sensitive that the faintest vibrations we can perceive are 1/10th the diameter of a hydrogen atom. I learned that a reverb chamber with an 8 second RT60 means that a sound wave bounces around for 1.7 miles before finally diminishing to 1/1,000,000th of its original intensity. And he makes no bones about the fact that when studio control rooms fill up with computers and hard disk drives that push the noise floor up to 40-50 dBA vs. a typical monitoring volume of 85 dBA, it's no fair to blame the lousy, lossy compression of MP3 files for a signal that never had more than 45 dB of dynamic range in the first place.

As others have said, this is a MUST READ for anybody considering building a recording studio, but it's a great reference for anybody interested in sound at all.

4 of 4 people found the following review helpful.
Not for the faint of heart, but good stuff!
By Frederick Vobbe
If you are looking for a good reference book to construct a "professional" studio then Phil Newell's (author) book is for you. The investment in this book will be for life, and not something you read then give away. I showed the book to an architect friend, and he came up with the "good stuff" moniker in the title of myreview, and promptly purchased the book for his office.

The book is HIGHLY technical, and Phil goes to the trouble of explaining why things are constructed in the manor he describes. There is a lot of math, science of acoustics, and the physics of sound transfer. So it might be over the head for most people. It's not something the average band member looking for a crib to record his tunes is going to find of use.

If you are a serious musician, and have an architect and contractor build the studio for you, INSIST they read this book! The advice Mr. Newell gives will keep you from having that 'aw darn' moment in recording when something doesn't sound right. If you have the aptitude for high-end commercial construction techniques, or have worked in the professional construction trades you will get 95% of what Phil talks about. The other 5% is the math and acoustic reflection properties which can seem like voodoo.

The book covers all the basics from walls, to floor, windows, reflective surfaces, etc. Sections explain control room design, speaker placement, and acoustics to get the best representation of the recorded sound.

If you're a small time musician or gearhead that wants to build a studio in your home, garage, or small building, there are plenty of other good "cheap" books out there to get you started. I would not start with this book as it might frustrate you. But if you are serious, and I mean really serious about doing it right, and having a sound stage that people will talk about, then this book is worth the price.

7 of 8 people found the following review helpful.
this is "MUST READ" stuff for anybody who records music!
By Nate Louis
Whether you're going to spend thousands or millions of dollars getting into the recording game, I would seriously urge you to spend the $80 on this book and read it thoroughly before dropping serious cash!!

I'm a former studio owner. If I'd known then what I learned after reading this book, I could've saved countless headaches and untold amounts of money.

The practical information in this book will really help open your eyes to a critical subject that's very much neglected in today's recording studios.

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Sabtu, 12 Oktober 2013

[L208.Ebook] Fee Download Aquinas and the Theology of the Body: The Thomistic Foundations of John Paul II's Anthropology (Thomistic Ressourcement), by Thomas Petri

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Aquinas and the Theology of the Body: The Thomistic Foundations of John Paul II's Anthropology (Thomistic Ressourcement), by Thomas Petri



Aquinas and the Theology of the Body: The Thomistic Foundations of John Paul II's Anthropology (Thomistic Ressourcement), by Thomas Petri

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Aquinas and the Theology of the Body: The Thomistic Foundations of John Paul II's Anthropology (Thomistic Ressourcement), by Thomas Petri

Pope John Paul's Theology of the Body catecheses has garnered tremendous popularity in theological and catechetical circles. Students of the Theology of the Body have generally interpreted it as innovative not only in its presentation of the Church's teaching on marriage and sexuality, but also as radically advancing that teaching. Aquinas and the Theology of the Body offers a somewhat different interpretation. Fr. Thomas Petri argues that the philosophy and theology of Thomas Aquinas substantially contributed to John Paul's intellectual formation, which he never abandoned. A correct interpretation of the Theology of the Body requires, therefore, a thorough understanding of Thomistic anthropology and theology, which has been mostly lacking in commentaries on the pope's important contributions on the subject of marriage and sexuality.

After offering an historical narrative describing the gradual departure from the theology of Thomas Aquinas, which led to a deficient theological method in the early twentieth century as implicated in the debates surrounding birth control, Aquinas and the Theology of the Body then surveys John Paul's pre-pontifical work. A thorough examination of the late pope's corpus reveals a definite respect for Aquinas even as he was intrigued by the consciousness-based school of phenomenology. In his many defenses of Humanae Vitae, John Paul II argued that since the human body represents the person to the world, the body speaks a certain language and has an inherent spousal meaning. While John Paul II did not offer any positive reference to Aquinas in his Theology of the Body catecheses, he did in other works. Finally, this study explores Aquinas's mature work, comparing and contrasting it with John Paul II's, to conclude that the Angelic Doctor's metaphysical anthropology provided the foundation for John Paul II's notion of the spousal meaning of the body, which is a seminal concept articulated in the Theology of the Body catecheses.

While there has been much scholarly study on the philosophy of Pope John Paul II, and of his indebtedness to Aquinas's thought, this is the first book to connect The Theology of the Body with Thomistic ideas.

  • Sales Rank: #466884 in Books
  • Published on: 2016-04-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x 1.10" w x 5.80" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

About the Author
Thomas Petri, OP is vice president and Academic Dean, Dominican House of Studies

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very important work giving the Aquinas background to Saint John ...
By Kevin
Very important work giving the Aquinas background to Saint John Paul II's Theology of the Body. Helpful for those who wish to delve deeper into the contours of the Pope's thought beyond what popularizers have published.

1 of 1 people found the following review helpful.
It would have been over my head for a personal ...
By Amazon Customer
It would have been over my head for a personal read, but thanks to Father Mike and his class using this book, I am able to grasp more of it than I would have.

4 of 4 people found the following review helpful.
A Book I Have Been Waiting A Long Time For
By Connor
I love Fr. Petri's style of writing! He goes very in depth on the Theological development behind TOB, and yet keeps it at a readable level. I love this book, and I think it will set the stage for a better understanding of TOB within the Catholic theological tradition.

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Jumat, 11 Oktober 2013

[U565.Ebook] PDF Download Persona Non Grata: poems by Christopher Michael, by Mr. Christopher Michael

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Persona Non Grata: poems by Christopher Michael, by Mr. Christopher Michael

Persona Non Grata is the first full length collection of poetry and spoken word performance pieces from nationally recognized slam poet Christopher Michael. Christopher has been on a great many national slam teams over the years, successfully competing on several national, state and city finals stages, and winning such achievements such as 2nd individual in the nation at the National Poetry Slam (NPS), multiple top three finishes in NPS team and group categories, placing 2nd individually at the state-level in the 2014 Texas Grand Slam as well as being the 2011 Arkansas Grand Slam Champ. This collection includes poems on a variety of topics, with a special emphasis on persona poems. This work includes such well known pieces as Adam, Job, Gone, Seeds, mystery, Dear Beard, 3 Straws, Mr. Bullet Takes a Holiday, Crackhead Poet and many many more.

  • Sales Rank: #2410325 in Books
  • Published on: 2015-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .23" w x 6.00" l, .33 pounds
  • Binding: Paperback
  • 102 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Watching him continually grow as a poet and perfect his craft is so inspiring
By Velda Freeman
I've known Christopher Michael for almost 8 years... Watching him continually grow as a poet and perfect his craft is so inspiring... The words he speaks and the fire and passion he infuses into each piece makes the stories come alive... I hear his voice in my head when I read his book.... I see the passion and animation in his face.... I hear the sublet inflections in voice when he wants you to really GET the messages he is trying to convey... Bravo Christopher!!

1 of 1 people found the following review helpful.
So much more than a collection of poems......
By Inkera Oshun
This book is advertised as a collection of poems , but it is so much more than that. It is a glimpse into Christopher Michael's life. It is a reality check that details the many phases we encounter during our time on this side of the dirt. This book doles out the happy, sad, educational, funny, and everything in between. It will make you experience almost every emotion known to mankind. This is the book of poems that you've been waiting to add to your collection.

1 of 1 people found the following review helpful.
Best collection of poems ever!!
By Simone Christine Green
I haven't even finished the book and I'm already in love. This is such a great collection of poems. He is such a gifted poet! I love how diverse his poems are. There is a collection on funny, inspirational, educational and just plain awesome poems. If you don't get this book you are missing out!!!

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Kamis, 03 Oktober 2013

[G444.Ebook] Free PDF Grow Your Own Vegetables, by Joy Larkcom

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Grow Your Own Vegetables, by Joy Larkcom

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Grow Your Own Vegetables, by Joy Larkcom

This revised, updated and expanded edition Joy Larkcom's classic guide to growing your own vegetables contains everything you need to know to create a highly-productive vegetable plot. It covers every aspect of vegetable gardening, including preparing soil; manures, composts and fertilizers; growing techniques; protection; pests, diseases and weeds; and making good use of space.



The second half of the book provides cultivation information for over 100 vegetables, including site and soil requirements, cultivation, pests and diseases, and cultivars.

  • Sales Rank: #1094104 in eBooks
  • Published on: 2013-04-04
  • Released on: 2013-04-04
  • Format: Kindle eBook

Review
It is impossible to overestimate Larkcom's influence on the way we grow and eat our food, in particular through her seminal book Grow Your Own Vegetables. -- Harper's Bazaar

About the Author
JOY LARKCOM is Britain's most respected vegetable garden maker and gardening writer. She has contributed to many magazines and newspapers, radio and TV programmes and has lectured all over the world. Her accolades include the Garden Writer of the Year award (three times); Lifetime Achievement Award from the Garden Writers' Guild in 2003, and the Veitch Memorial Medal for horticulture, the RHS's highest honour, in 1993. Her other titles for Frances Lincoln are Oriental Vegetables (ISBN 9780711236128) and The Organic Salad Garden (ISBN 9780711222045).

Most helpful customer reviews

13 of 13 people found the following review helpful.
My new veggie bedside book
By Helene Mclachlan
I found the book really easy to read and to consult on the different vegetbles. It really covers everything, I particularly loved the section on making compost like 'Black Jack' Liquid Manure. Great ideas everyone can use, like using nettles and comfrey for manure. The book is so detailed but yet not over the top. It tells you how to plant then manage the veg then harvesting. For me it is the only book I will need to grow my own veg. Thank you Joy Larkcom

11 of 11 people found the following review helpful.
Must Have for Avid Vegetable Gardeners
By Foodie
The previous reviewer who gave this one star because they were looking for info for alkaline soils should have their soil tested through their county extension service and amend their soil appropriately making the issue mute.

This is a fantastic book full of information and techniques which result in a comprehensive "go to" reference which is far more thorough than most American vegetable gardening books. I've been gardening all my life, spend a lot of time seeking information online but always appreciate comprehensive references for my personal library. I highly recommend this book for it's content and credibility.

0 of 0 people found the following review helpful.
You must have this - full of detail!!!
By Mark Abbott-Compton
[[VIDEOID:mo343VPLS771QVO]]I hope you enjoy my video review of this book.

Mark Abbott-Compton

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Senin, 30 September 2013

[P687.Ebook] PDF Ebook Cuba's Racial Crucible: The Sexual Economy of Social Identities, 1750-2000 (Blacks in the Diaspora), by Karen Y. Morrison

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Cuba's Racial Crucible: The Sexual Economy of Social Identities, 1750-2000 (Blacks in the Diaspora), by Karen Y. Morrison



Cuba's Racial Crucible: The Sexual Economy of Social Identities, 1750-2000 (Blacks in the Diaspora), by Karen Y. Morrison

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Cuba's Racial Crucible: The Sexual Economy of Social Identities, 1750-2000 (Blacks in the Diaspora), by Karen Y. Morrison

Since the 19th century, assertions of a common, racially-mixed Cuban identity based on acceptance of African descent have challenged the view of Cubans as racially white. For the past two centuries, these competing views of Cuban racial identity have remained in continuous tension, while Cuban women and men make their own racially oriented choices in family formation. Cuba’s Racial Crucible explores the historical dynamics of Cuban race relations by highlighting the racially selective reproductive practices and genealogical memories associated with family formation. Karen Y. Morrison reads archival, oral-history, and literary sources to demonstrate the ideological centrality and inseparability of "race," "nation," and "family," in definitions of Cuban identity. Morrison analyzes the conditions that supported the social advance and decline of notions of white racial superiority, nationalist projections of racial hybridity, and pride in African descent.

  • Sales Rank: #601979 in Books
  • Published on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .90" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 372 pages

Review

"One of only a few works on Cuban history that critically examines the intersection of gender, race, and nation... [and] offers a unique perspective considering changes in race making and family formation over the long term." ―Marc McLeod, Seattle University



"Examining the historical process of family formation among Afro-Cubans as an entry point into an exploration of the sexual economy of race, Karen Morrison argues that to achieve a more complete understanding of the tensions, shifts, and turns in the public discourses of race in Cuba, we first need to trace the material human relations upon which those discourses and subsequent socio-cultural and political practices are built. The constitution of these intimate worlds is both a primary process as well as a main site for the production of racial meaning.... Her analysis shows that various peoples from all over the Cuban social landscape transgressed racialized boundaries in their desire to recognize and legitimize their family formations, challenged the racialized hierarchies, [and by doing so] transformed the actual meanings of the categories of race." ―Ileana M. Rodriquez-Silva, University of Washington



"This rigorous yet accessible monograph covers an extensive period of Cuban history from a unique and innovative intersectional perspective. For these reasons, it would make an excellent addition to undergraduate collections in African and African American studies, Latin American studies, women’s and gender studies, and history.... Highly recommended." ―Choice

About the Author

Karen Y. Morrison is Assistant Professor in the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts Amherst and a social historian of the African diaspora.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Faithful Amazon Customer in Maryland
Great book about Cuba and it's history.

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Kamis, 26 September 2013

[V822.Ebook] Free PDF Long Way Down, The Illustrated Edition, by Ewan McGregor, Charley Boorman

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Long Way Down, The Illustrated Edition, by Ewan McGregor, Charley Boorman

After their fantastic motorcycle trip around the world in 2004, bike fanatics and best friends Ewan McGregor and Charley Boorman couldn’t shake the travel bug. The result was a 15,000-mile adventure throughout the entirety of the African continent on the backs of their trusty BMW motorcycles. Captured here in more than 100 exclusive images are the duo’s most memorable experiences, from managing some of the toughest terrain in the world to meeting a bevy of friendly people and encountering astounding natural beauty. With images taken by Ewan and Charley themselves as well as by internationally renowned photographer Julian Broad, this beautifully illustrated edition vividly documents a trip of a lifetime.

  • Sales Rank: #11802089 in Books
  • Published on: 2009-04-01
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: .90" h x 7.92" w x 11.06" l,
  • Binding: Hardcover
  • 288 pages

Review
'A great book' BELLA

About the Author
Ewan McGregor first came to notice in Shallow Grave. Since then he has appeared in more than thirty films including Star Wars Episodes I and II and Trainspotting. Charley Boorman has appeared in films such as Excalibur, The Emerald Forest and, more recently, The Bunker.

Excerpt. © Reprinted by permission. All rights reserved.
1
Where's Charley?

CHARLEY: I remember the moment it started. It was October 2004, very late one Friday night. We were in the old office in Bulwer Street with boxes all around us, bits of paper, all the office equipment gone. For a few minutes we just stood there reflecting. This is where Long Way Round had all begun, where we'd planned everything, checked and re-checked the maps: it's where we'd first seen the bikes.

It was over, finished: we'd ridden around the world, a mammoth journey; an epic adventure. But it was over now.

The maps were still on the wall and we stood before them once more. Ewan glanced at me.

'What do you reckon, Charley?'

'I don't know.'

'South America, India maybe?'

I looked up at him. 'What about riding through Africa?'

Ewan and I first met on a film set in County Clare more than a dozen years ago, our friendship born out of our passion for motorbikes. We've been best mates ever since. We'd always talked about riding together; France maybe, Spain. But then Ewan walked into a map shop, and over dinner that night we decided to forget France or Spain, we'd go the whole hog and ride around the world. The adventure of a lifetime, the two of us off on a couple of bikes. I wasn't sure we could pull it off; I wasn't sure it would even happen.

But it did. A late-night conversation became a dream, the dream became an adventure and that adventure proved to be a pivotal point in my life.

I grew up in the movie business, but I'm dyslexic...and I mean badly: if it hadn't been for my dad taking a year out to teach me to read, life could've been very hard. Even so, reading for acting parts could be difficult sometimes. Historically I'd enjoyed success in movies like The Emerald Forest, but after Long Way Round the direction of my life altered completely. I found myself in places like the pit lane of Moto GP circuits with heroes like Kenny Roberts grabbing my arm and telling me how much he'd enjoyed watching our journey.

I was no longer just John Boorman's son - in fact my dad rang me up the other day to tell me he'd introduced himself to someone and they'd said, 'Oh, Charley Boorman's dad'.

My career was now in motorcycling - albeit not in a conventional way - and the success of Long Way Round enabled me to live another dream. Ever since I can remember I'd always wanted to race bikes, so together with Russ Malkin, a very good friend and producer/director of Long Way Round, I entered the world's most dangerous race: the 2006 Dakar rally - five days in January where I rode ridiculous distances at ridiculous speeds before an innocuous crash tipped me off and I broke both my hands. (I never made it to the sand dunes and I've unfinished business there.) That dream was over for now, but another was just beginning.

Ewan flew in for the end of the Dakar to congratulate us all (my fellow teammate Simon Pavey had made it all the way to the finishing line). He was joined by film maker David Alexanian, the fourth member of the team that created Long Way Round. There we were in Dakar - all together again. And there in the scorching sun we confirmed what we had first mapped out over a year before in Bulwer Street. The adventure was on again - John O'Groats to Cape Town: we would ride the Long Way Down.

Once my hands were healed, the first thing Ewan and I did was return to the Royal Geographical Society in London, the place where we'd mapped out the first trip. Our bikes parked outside, I took my helmet off. The old red brick building seemed very familiar.

'So here we are again, Ewan. What do we say to them this time?'

He laughed. 'How about: Hi, remember us? We're back for more.'

Inside I quickly recalled how solemn the place felt; the arched windows, blue carpets and the magnificent ancient maps that decked the walls. One in particular dated from 1920 and at the bottom it was engraved with images of the old continent, names and places going back to colonial days when just about every European country fought for a share of the spoils. Ewan pointed to a picture of a guy in a pith helmet in a pretty compromising position with a tribesman. 'Hey, Charley,' he said. 'Here's how you made friends with the natives back then. See, you grabbed a man by his willy.'

In the journey-planning office we met the same assistant we'd spoken to before and she had yet more large-scale maps spread on a mahogany table.

'Have you decided on a route?' she asked us.

I shook my head. 'Nothing definite yet, but we're going to ride down through Europe, I think, probably cross from Sicily.'

'We'd like to follow the Nile,' Ewan added. 'It's one of those journeys, you know; one of the great trips of the world.'

She nodded. 'Sudan is pretty unstable and so are parts of Ethiopia. You'll need to be up on your paperwork.'

I rolled my eyes. 'Jesus, paperwork. The Ukraine, Ewan. Remember?'

'You mean when we waited nine hours to get in - how could I possibly forget?'

'Ethiopia is absolutely beautiful though,' the assistant went on, 'and despite the problems they're really trying to build up tourism. Sudan is full of open spaces, the Africa of the movies, if you like.' She smiled then, a little warily. 'There are security issues, however.'

I cast a glance at Ewan. She was right, as we knew only too well. We'd only just started investigating the route and already knew we'd need armed guards to get us through places like northern Kenya. We were thinking about going into the Democratic Republic of Congo, and weren't sure whether we'd have to go through Zimbabwe. This was going to be a very different journey from Long Way Round, and I think we were only just beginning to realise how different.

Having reacquainted ourselves with the Royal Geographical Society we headed for the wilds of Devon and a weekend's survival course. The weather was shit, a cold, drizzling rain, and to make things even more miserable, Ewan had his tent up before me. He was crowing about it. I mean, he never gets his tent up before me. It was galling. There was some consolation however: he'd put it up at the bottom of a hill and it was raining, which meant there was every chance he'd have a river running through it before long.

After that, we got lost in the 'wild wood' whilst hunting for strategically placed survival rations, and then we had to build shelters from fallen branches and bits of foliage.

Not that we're competitive or anything, but my A-frame and ridge was up, the sides constructed and I was already onto the roof whilst Ewan was still going on about a 'long ridge pole' and the 'bell end' being big enough. After making a wall of branch and fern, the last layer was leaves. Lying inside I could still see daylight and my feet stuck out, though I only discovered that when the instructor kicked them. He proceeded to tell us about a friend of his who went to sleep with his head sticking out of a similar shelter in Africa, only to be woken by a hyena ripping off his face. Our instructor liked telling those kinds of stories: he liked to tell them a lot.

He was complimentary about my shelter, however, testing thestructural quality by climbing right over it while I was lying inside. In his own words, it didn't budge an inch.

Ewan was arranging leaves and ferns and other bits and pieces; like a boy scout he was, having a whale of a time. 'Colour coding confuses your enemy,' I heard him mutter.

Finally he was finished, the branches covered with sprays of fern and leaf. He was stretched out inside and the instructor asked him if he felt confident that it was structurally sound.

Ewan replied that he did.

'Good,' the instructor said, 'because I'm going to walk on it.'

He'd barely shifted his weight when the 'bell end' Ewan had been so proud of collapsed, showering our Jedi Knight in broken branches.

For a moment there was silence. Then from the depths we heard him: 'Yeah, well, I think obviously there's room for improvement. But generally...' We could see his hands, gesticulating from under the crushed ridge. 'I was quite happy with its...you know, I liked the feel of it and it smelled really nice.'

On cue and not without a certain sense of ceremony, the rest of the shelter collapsed; a few moments later Ewan emerged: half a beard, his woollen hat askew.

'Shame,' he said. 'I put a lot of love into that.'

EWAN: What Charley didn't mention was that his A-frame was put together by the instructor. That's why it was so solid. I did mine myself. Not quite the same thing, is it?

The instructor really did like his tales of horror: hyenas eating people; elephants trampling our campsite; not to mention the machete-wielding madmen lurking outside every bar. Having said that, he also told us that despite our laid-back attitude, I was 'wily' and Charley was really 'industrious'.

From Devon, hyenas and elephants, it was Essex and a replica of the border between the Democratic Republic of Congo and Rwanda. Driving down a track in a 4x4 we had the feeling we were about to be ambushed. We were right - just as we were considering potential escape routes a mine exploded in front of the truck.

David Alexanian, who would be joining us on the real trip, was driving. He immediately started backing up. More flash bangs went off, mines, or grenades maybe, exploding behind us.

Now we heard the rattle of gunfire and a man appeared on our right. Heavily built, he approached the vehicle at a crouch, wearing camouflage and carrying an AK-47. We dived for the doors on the passenger side only to find another guy bellowing at us and brandishing not a gun, but a couple of vicious-looking axes.

We piled out of the vehicle. Hands in the air, we tried to talk to the gunmen - a whole gang of them now. We tried to explain about UNICEF, and what we were doing. They weren't listening or didn't understand: they didn't care. Before we knew it we were forced away from the vehicles, our captors demanding money, jackets, our watches.

We'd discussed such a situation with our instructors and they had advised us that in really dangerous areas, convoys of vehicles were put together under armed guard. Our trip was high profile ...

Most helpful customer reviews

6 of 6 people found the following review helpful.
Not great literature, but an enjoyable ride nonetheless
By Luke T. Evans
I've enjoyed both of the "Long Way" books. They're an enjoyable read even if they aren't great literature or exceptional travel writing. Ewan and Charley seem like two great guys and their humanity and down-to-earth natures really show in these stories. Some of the reviews here have been negative, with many of them criticizing the trip's supposed lack of purity in that Ewan and Charley had a support team and a few sponsors. Whatever. If you ask me, the support team was pretty thin, and it's clear that many times they were just winging it and improvising as they went along. This was emphatically not a Camel Trophy-type extraveganza, with flocks of accompanying helicopters, spare vehicles, and squads of mechanics standing by with truckloads of spare parts, and it certainly didn't appear to be a luxury trip by any stretch. Call it a compromise between a full-on expedition (complete with porters and truckloads of "essential equipment") and a threadbare by-the-seat-of-our-pants penniless slog taking many months or even years. Sure, in a perfect world you'd take two years to undergo such a journey, and thus provide yourself with plenty of time to see everything and get to know the people and cultures in great detail. But let's face it, 99.99 percent of us will never be able to pull that off, either due to: 1) family/career obligations; 2) a lack of time; 3) a lack of money; 4) a lack of balls; or 5) all of the above. That's just the way it is. But these guys went out and did it, however imperfectly. That's just fine in my book. Jolly good, blokes!

1 of 1 people found the following review helpful.
A well received sequel!
By Kevin J. Brigandi
In Long Way Round, Charlie and Ewan set the stage for two best friends and their motorcycle journeys across the globe. You get to know the cast and crew in a personal way and see the journey through the eyes of avid adventure motorcyclists. In Long Way Down, they've ditched the whiney trip doctor from the first trip and replaced him with a doctor who better fits the spirit of the team. This film feels more personal to the viewer. Charlie and Ewan are more emotional this time around and the scenery and imagery is amazing. The stories of the journey are heartfelt and you really get a different perspective of how people live with each other and their environment throughout several different countries in Africa. The language is colorful at times for a younger audience (Charlie uses the F word extensively) but the story and journey are worth it. If you are not a motorcyclist, you will probably still enjoy the movie. If you are a motorcyclist, you'll be planning your next trip!

7 of 7 people found the following review helpful.
Another great journey.
By Nathaniel J. Kuhn
Due to scheduling complications with the ferry for the first 1/3rd of the trip, Long Way Down (LWD) had a rushed and more stressful feel to it in comparison to Long Way Round. This led to a slightly less enjoyable experience for the reader/viewer in my opinion.

Nevertheless, this voyage is still Ewan and Charley at their best. These guys enjoy motorcycling and traveling on them so much that they make the best out of any situation.

The way they document the trip is so honest, and really opens you up to their personalities - something you rarely get to see with famous people. It's so honest and humble, yet funny and appropriately opinionated at the same time. The quality of the book - the editing, the photos and the writing are superb in their natural style.

The fact that they take time to do charity work as well as show the world things that most choose to ignore is wonderful. Plus, like the LWR trip - it's an incredible way to show the beauty of our world and politeness of so many of the people in it.

The books and movies are true magic on film - whether or not you like motorcycles or not (i am obsessed), it is nearly impossible to not fall in love with these two guys and their journey of a lifetime.

See all 58 customer reviews...

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