Kamis, 26 Mei 2011

[E798.Ebook] Download Ebook The Columbus Conspiracy, by Michael Bradley

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The Columbus Conspiracy, by Michael Bradley

An investigation into the secret history of Christopher Columbus.

  • Sales Rank: #936520 in Books
  • Published on: 2011-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .60" w x 5.40" l, .70 pounds
  • Binding: Paperback
  • 253 pages

Most helpful customer reviews

6 of 10 people found the following review helpful.
Peeplzchamp
By peeplzchamp
Another informative literary piece from Michael Bradley that should be a classic for years to come. I have been very impressed with Mr. Bradley's work since I first read The Iceman Inheritance and The Chosen People of the Caucasus. All marvelous works.

5 of 8 people found the following review helpful.
missing piece of the puzzle
By Tazuh Stainback
Very informative, it is a must read for all of you people out there in this world that is seeking some since of what really went on way back then.

0 of 0 people found the following review helpful.
Recommend.
By Grailgoddess
Intriguiging & well-presented. Recommend.

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Rabu, 25 Mei 2011

[X210.Ebook] Free Ebook The Quantum Nietzsche: The Will to Power and the Nature of Dissipative Systems, by William Plank

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The Quantum Nietzsche: The Will to Power and the Nature of Dissipative Systems, by William Plank

Friedrich Nietzsche, a 19th century German philosopher, conceived of the universe as a living thing and a partner with humanity. He was able to do this, especially by a complete rejection of Plato's philosophy. Similar ideas will not crop up until the major thinkers in quantum mechanics in the 20th century: John Bell and his laboratory apparatus demonstrating "Bell's Inequality," and in the "beables" and "beers" of David Bohm. By using the ideas of Nietzsche, one can see the uses and misuses of Greek philosophy, especially in the paintings of the Northern Renaissance vs the Italian Renaissance; in Rabelais and the Italian Renaissance; and in Romanticism in general. Nietzsche's work likewise provides a critical point of view to reevaluate the work of William Blake, Pieter Bruegel,Hegel, Luther, Denis Diderot, Jean-Jacques Rousseau, Jacques Derrida, Michel Serres, Gilles Deleuze, many of whom were reacting against Platonism without realizing it. Nietzsche puts man at home in the universe in a way no other philosopher has ever done, thus discounting the bleak views of Camus and Sartre and giving a completely new view of existentialism and Christianity. The author gives evidence that most thinkers have completely misunderstood Nietzsche or have not admitted their debt to him.

  • Sales Rank: #3116405 in Books
  • Published on: 2002-01-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.39" w x 6.00" l, 1.95 pounds
  • Binding: Paperback
  • 556 pages

About the Author
William Plank is professor of French at Montana State University-Billings, holding the Ph.D. from the university of Washington. He has previously published two books, SARTRE AND SURREALISM and GULAG 65:A HUMANIST LOOKS AT AGING. His interests are the ragtime piano and motorcycles.

Most helpful customer reviews

15 of 16 people found the following review helpful.
Excellent Effort
By Anil K. Pillay
Plank's book is generally more helpful than the books by Kauffman, Hollingdale, and Safranski, especially in the emphasis on the hyperborean Nietzsche and in Nietzschean critiques of several major figures from the renaissance to the present. It is the best work and maybe the only one to connect game theory and the discoveries of quantum physics to Nietzsche's intuitions on such things as local reality and a conscious universe. The average attentive reader can get through it. Someone should have proofed it more carefully since it is missing some periods. Nietzsche's impertinent style seems to have rubbed off on Plank.

1 of 9 people found the following review helpful.
Poor Format, Overpriced (list), Shoddy Editing and Typeset, but . . .
By Alaric
At 555 pgs. and a list price of 30 fiat usd's, it is overpriced. Numerous typos, huge font sizing, superfluous type setting given the section numbering being similar to FN.'s; the overall effect is a largesse of paper laying out a text worthy of no more than 180 or so ACTUAL pages.

Being one, if not the only work of its type in the Nietzsche scholarship realm, excepting the oft cited book by Moles, and perhaps Deleuze's Logic of Sense, it's certainly worth picking up if one can find it below the list $30.

A few objections: With a certain 'lefty' toned discourse, the outright rejection of Marx on anti-substantialist grounds was impressive, though the author's idea that "ideal" social relations tested and put into practice as a consequence of a study of value from the perspective of WTP seems to run contrary to his own line of anti-essential/substantialism, i.e. "the WTP has no solution, when it expresses itself in such a game, it is entrophic." --particularly since a following digression on US culture ending in mocking the right to bear arms flies in the face of a passage from BGE I believe, which goes something along the lines of "in the next century it may be necessary for everyone to carry a pistol . . ." and clearly stating that this would NOT be a sign of regression, but strength and intelligence. Surely the right IS not, but, as one who had read Stirner, it is hard to believe that Nietzsche would support this proto-typical leftist/socialist plank especially, if one IS one's body, then the WTP as embodied thereto must also include its means to expansion to remain "auto-catalytic"--firearms are not MERELY useful in paranoid-chauvinist herd imperialism, but on the contrary, are the very means to defending and moreover ENFORCING one's sovereignty and TAKING one's rights into one's OWN hands at the expense of the herd, State, ect. Typical cognitive dissonance of an employee of the STATE, the ideology flies off the page. Nonetheless, Plank is otherwise fairly evenhanded with the exception of the above stated' timeliness-es'.

0 of 13 people found the following review helpful.
everything that happens is dynamic
By flapping in traumatized laughter puddle
Our axiosphere is a gambling addiction. Our primary innovation is hyperbolic cyberpower. The Quantum Nietzsche tries to give Nietzsche credit for seeing the high stakes we have on flipping the bobsled over whenever our thermonuclear weapons could wipe out life on earth instead of allowing us to continue living in indignation, but it chickens out. Buck buck Bacaw!

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Jumat, 20 Mei 2011

[V497.Ebook] PDF Ebook Skills for Effective Writing Level 1 Student's BookFrom Brand: Cambridge University Press

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Skills for Effective Writing Level 1 Student's BookFrom Brand: Cambridge University Press

Students are better writers when they master discrete writing skills. Skills for Effective Writing teaches these skills, such as identifying topic sentences and recognizing irrelevant information, and offers extensive practice opportunities. When students master discrete skills, all of their writing improves. This allows teachers to focus their time and feedback on the content of student work.

  • Sales Rank: #986129 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2013-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .28" w x 7.99" l, .75 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
It does an amazing job at breaking down writing problems into compact units
By fyca
To be clear, I rate this entire series as 5 stars for content, but 1 star for price.
If this were a black and white workbook for around $10, I would always order these as a required text for my students. It does an amazing job at breaking down writing problems into compact units, giving brief but thorough explanations and then following that up with a small variety of exercises, and concluding with a quiz. My students respond well to the exercises and I do see an improvement in the problem we're working on. As a writing text, it is perhaps lacking in that it focuses on individual problems, and isn't that great at looking at writing as a whole. This is why I would prefer this as a workbook. It serves a necessary purpose, but at this price, I can't in good conscience require my students to buy it.

0 of 0 people found the following review helpful.
Five Stars
By charles-gu
good

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Kamis, 19 Mei 2011

[O495.Ebook] Download Wyllie's Treatment of Epilepsy: Principles and Practice, by Elaine Wyllie MD

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Features:

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  • Clinically oriented, evidence-based reference
  • Online bank of over 500 board review-style questions highlighting key concepts for board examinations and clinical practice
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  • Sales Rank: #523417 in Books
  • Published on: 2015-02-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.60" w x 8.60" l, .92 pounds
  • Binding: Hardcover
  • 1088 pages

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Selasa, 17 Mei 2011

[X150.Ebook] PDF Download Recuerda no llorar (Spanish Edition), by Isabelle Bellmer

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Recuerda no llorar (Spanish Edition), by Isabelle Bellmer

Jackson Miller es un joven oficial de policía que lucha por conseguir justicia para su hermana Pandora, a quien le arrebataron todo. Él ha estado tantas veces a punto de conseguirlo que no se ha dado cuenta de que su hermana solo quiere olvidar y seguir.
Con la ausencia de sus padres, Jackson intenta día a día ser un ejemplo para su hermana. Sin embargo, el joven tiene sus defectos: es un imán para la seducción, porque claro, ¡Jax es para muchas la combinación perfecta de chico malo y chico bueno! El policía que aparece en cuanto algo malo te sucede, ¿quién podría resistirse a eso?

Desde que tiene memoria, Evangeline Niggel es vecina de Jackson. Ella vive con su hermano Ethan, un chico divertido y sagaz, su madre y Otelo (su gato siamés). Eva adora las novelas y está a punto de entrar a la Universidad de Londres para estudiar ciencias políticas. Pero ella no cuenta con todo lo que la vida le tiene planeado para los próximos meses.
Nunca imaginó todo lo que experimentaría: amor, felicidad, odio, miedo, dolor y libertad. Porque cuando tienes sentimientos por quien crees que no debes, todo se vuelve un caos.
Sin embargo, sus caminos, tan paralelos hasta ahora, se chocarán con fuerza y algo que nunca debió haber sucedido, sucederá. Y ahora Jackson deberá elegir si sigue a su corazón o a la ley.

  • Sales Rank: #423655 in eBooks
  • Published on: 2015-08-23
  • Released on: 2015-08-23
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Genial..!!!!

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Senin, 02 Mei 2011

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Celestial Omnibus Short Fiction on Faith, by J P Maney

  • Published on: 1997
  • Binding: Paperback

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Technique of Film Editing, Reissue of 2nd Edition, by Karel Reisz, Gavin Millar

Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!

The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.

Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.

  • Sales Rank: #738096 in Books
  • Published on: 2009-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 7.40" l, 1.60 pounds
  • Binding: Paperback
  • 368 pages

Amazon.com Review
Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work.

From the Publisher
In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. The second edition has now also reprinted 13 times. On publication, the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently it has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.'

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7 of 7 people found the following review helpful.
THE Book on Film Editing
By givpilot
This review is for the enhanced second edition, published in 2010. The Technique of Film Editing is the seminal work on the subject of editing cinematography. It was originally published in 1953 and revised and expanded as a second edition in 1968. The 2010 printing is essentially a reprint of the 1968 second edition with an updated forward. That does not diminish the book in the least, the 1968 edition is as valid today as the day it was published.

Although we live in an increasingly digital world, this book is every bit as pertinent to the digital editor working with Final Cut as it is to a celluloid editor working on a Movieola. For this book is not about software or hardware, but about the process and art of editing. It makes no difference whether the images were captured on silver halide film, video tape or a silicon chip.

The Technique of Film Editing is comprehensive, it begins with a history of editing and then moves on to the practice of editing in a variety of cinemagraphic styles, from action and comedy sequences, documentary reportage, montages and dialog sequences, to name only a few. What follows next is a discussion of the timeless principles of editing, such as timing, pace and rhythm.

In the second part of the book, Reisz and Millar explore the work of some notable directors and editors. They point out to us how seemingly minor choices in framing and editing can have a profound impact on how the scene is perceived by the audience. The real examples (film frames are printed that coincide with the text) from real films make this section particularly useful. Through the printed examples, you can precisely see the various points the authors are making. This was my favorite part of the book - I could understand the choices the directors and editors made and I learned much from that.

If you are involved with film editing, in any of its various forms, this is a book you should not be without. Prior to this reprinting, older copies were selling at several times this price in used bookstores and online. Focal Press is to be commended for bringing back a great work.

29 of 36 people found the following review helpful.
Want to make films? Read this book!
By dartprod@concentric.net
First you have to find it. Incidentally, I am sure it is not extremely difficult to find, for I happen to have found it accidentally in a film book store in Hollywood. Needless to say this book provides any potential film maker with an exciting view of the craft, turning mechanics into art. It is written in a clear style and in an almost profound way it will change the way you understand cinema and editing. Reisz and Millar will teach you how to turn the art of film into film art.

1 of 1 people found the following review helpful.
Quickly becoming a museum piece
By Amazon Customer
I'm currently in the middle of editing on an hour-long documentary, so I was excited to get the chance to review a book on editing. Unfortunately I didn't come out of it with the knowledge I was hoping for. The Technique of Film Editing is somewhat outdated and inaccessible for modern uses.

The major problem is that a temporal art form like film (especially the editing of it) is very difficult to capture in text form. I find it nearly impossible to judge shot selection and flow from simple text descriptions, even with footage lengths and stills. (which are given only occasionally)

It's hard to really tell what's going on without actually watching the films. And with such an out of date selection that's often easier said than done.

I checked every film that the book mentioned in-depth to see how easy they were to track down. And while the majority of them are easy to come by, I found about 20 that weren't available on Netflix and of those only 4 were readily available on Amazon.

The forward to the added second section pretty much says it all. It states that not only is the first part outdated (even for 1968) the second part will likely age even faster; and it's right. So much of the later part of the book is about the current film trends of the time like cinemascope and the French New Wave and only some of it has much to do with the actual editing.

I learned far more about editing by spending an hour and watching The Cutting Edge - The Magic of Movie Editing, which hits the highlights of pretty much everything mentioned in this book, plus some bits of knowledge from editor Walter Murch that are far more readily useful than much of what's written in this book.

If you have some experience editing you may be able to glean a few interesting tidbits from this book, but in this day and age The Technique of Film Editing seems more important for its contribution to the craft than continuing to teach it.

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